Five Stages

During a recent conversation, the question of the stages of grief came up. I wasn’t sure if there were supposed to seven stages or five. The five stages of grief are Denial, Anger, Bargaining, Depression and Acceptance, in the system suggested by the Swiss psychiatrist Elizabeth Kubler-Ross, in her 1969 book On Death and Dying. I read it many years ago. I remembered her effort to find a pattern of meaning in the emotions of terminally ill hospital patients. I remembered the theory sounded a bit fuzzy. The stages had been the central theme of the 1979 movie, All that Jazz, which I had seen when it was released in theaters. (The movie has attracted mixed reviews).

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Butterflies and Wheels

Butterflies and Wheels combines some heavy critical writing with some very funny features. It defends science and reason from junk science and post-modernist critiques. It is heavy on references to atheist and skeptical sites, and generally anti-religious, unhappily tending to equate religion with fideism, fundamentalism and superstition. It is strong in writing and critical thinking.

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Fearbusting

Rhonda Britten has found, apparently, commercial success. Her Web Page is an advertisement for her books, personal appearances and other services and merchandise. The testimonials on her Web page indicate that she has been hired by companies and organizations as a motivational speaker. She is a writer, and a “coach”. She counsels people to buy her books and to form support groups to work her system.
Her professional persona is built around a theory, called fearbusting or Fearless Living, which was the title of her breakthrough book.
There are a few biographical hints on her Web page about her having overcome personal tragedy to become an inspiring person. The implication is that her system made her what she is now – beautiful, successful, inspiring. She presents herself on her Web page autobiography as a survivor. She tells some of her own story in her first book, “Fearless Living.” She witnessed her father kill her mother, and commit suicide. Her life and career went up and down for years. She was a good student and had a business career. She was an actress. She also worked as a waitress, and spent time in rehab and recovery. She doesn’t say if she was diagnosed with post-traumatic stress disorder or any other particular illness. She isn’t too clear on her addictions and weaknesses. She isn’t clear on what therapies she tried before she became successful.
But she has become successful. She became a personal coach, and founded a public relations firm. She wrote books. Her career has become very successful. What’s the secret of successful life according to Rhonda? It’s fearbusting.
In Chapter One of “Fearless Living,” she tries to define fear. She starts with the view that people are incomplete, wounded, separated from the ground of their essential being and want to be whole, or better or self-actualized. She says people are this way because of “fear”. She refers, loosely, to a quote from the high priest of humanistic psychology, Abraham Maslow, to the effect that people are afraid to face the fact that they are not whole. Maslow tends to get quoted more by Alternative therapists and coaches than by mainstream psychologists, but I’m going to leave him for another day.
Britten doesn’t have a lot more to say about her theory, and she never gets around to a real definition of fear. Fear seems to be whatever you can identify as making you feel bad.
The rest of her books are about working her system. She starts by saying that you have to work the system in secrecy, without telling your family and friends what you are doing. Her first rule is don’t tell anyone. Her explanation is that until you have identified the people who are holding you back, and know how to defeat them, you are at risk of having them undermine her system before it can work for you. This sounds more controlling than empowering, and it’s pretty typical of the therapy techniques of coaches and alternative therapists.
She teaches exercises to help people identify their fears and the people who inspire fear. The exercises seem to be pretty loaded. Everything comes out the same way. Everybody has the same problem – fear, and fear is whatever you can identify as causing a bad feeling. Fearless living is a slogan, not a therapy system.
We get to the heart of the matter in Chapters 4 and 5 of “Fearless Living,” which are titled Fear Junkies and Fearbusting. These chapters start with the basic observation that you can only change yourself, and that you can’t be responsible for someone else’s feelings. She discusses being aware of your reaction to negative content of interactions with others, and taking responsibility for directing the interactions in a positive way. Within the wisdom of addictions counselling theory, co-dependency theory, and 12 step recovery programs, you accept that you are powerless over another person’s addiction, and that you may have to disengage from life with an addicted person who is harming you.
Britten twists this into something new – disengage from people who inspire fear in you. By itself, that makes sense. You avoid dangerous and risky people and situations. The question is, what is it that makes you afraid?
In her system, anyone who makes you feel bad is a fearsome person. So in her system, if people around make you feel bad, dump them. This is partly an adaptation of the techniques of business networking where you cultivate useful friends and dump losers. It is partly a feel-good psychology of surrounding yourself with people who build you up and make you happy.
It is mainly very controlling. She counsels people to bust fear by blaming others, and making themselves impervious. You protect yourself by controlling your relationships. There is very little about taking responsibility for yourself. She empowers people to feel good about blaming others for their fear.
This system should appeal to people who see themselves as being held back by being afraid to assert themselves, and I think it might help shy people to overcome their shyness and to present themselves better. However, a system that works by blaming the people who make you feel bad is a system to help narcissists feel good about blaming other people for their feelings.
There’s not much more to her system. She must have a powerful presence as a speaker and great skills as a publicist to sell it.
I would suspect that her coaching is aggressive and that she tells clients to make changes. Then she praises them for the changes they are making. Coach and client both go away happy with their work. Meanwhile the client’s family, co-workers, friends, spouses and lovers must be wondering where the hell that emotional train that just hit them came from.
Self-help books should come with a consumer warning, but perhaps people addicted to tuning up their feelings would be oblivious to any warning.
She’s not a therapist or a healer. She hasn’t had any great insight. She’s reworked some very basic psychology into her own oddball narcissists’ cult. She’s a coaching, marketing, selling machine. She’s a fakir.

Pining for the Fjords

He’s not dead, he’s pining for the Fjords.
Rupert Sheldrake was a reputable plant scientist. He enjoyed a good reputation in his field, and published in peer-reviewed scientific journals until 1978, and published articles in Nature in 1973 and 1974. He has links to his published papers on his web site. According to his own Web site, he went to India and worked his academic field from 1974 to 1978. After that he studied in an ashram, and then began to publish more spiritually oriented writings.

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Fakirs

When I was six, my parents gave me three books by Rudyard Kipling. There was The Jungle Book, and a book called Stalky and Company which was a fictionalized account of Kipling’s teen years in an English “public school” which was actually a private boarding school. My mother had been the Akela in a Cub Scout pack in Holland and she was encouraging me to join a local Cub pack. The Cubs and the scouting movement in England and Canada used the Jungle Book as their organizational metaphor. (Mowgli was raised by wolves in the Jungle Book, and Cub Scouts are wolf cubs).
The third and best one was Kim, the story of an Anglo-Irish orphan abandoned in Northern India, who lives on the street and becomes recruited into the Great Game of military and political spying, while also finding his own integrity in acting as a helper, disciple and friend to an elderly Tibetan Buddhist monk on a pilgrimage in India to seek the River that sprang forth where the Buddha’s arrow fell. Kim is a rich, complex and enjoyable novel by an undervalued writer, and I have re-read it several times.
In the book, we find several encounters with fakirs. Fakir has a rich sound to an English-speaking listener. It sounds like faker, and it sounds like an obscenity. In the Oxford World Classic Edition of Kim it is spelled faquir and explained in a footnote referring to a religious mendicant, properly a Muslim but including other ascetics, such as Hindu Saddhus. Kipling and his character Kim see a clear distinction between true holy men, like Kim’s Lama, and a variety of yogis (holy men) and pundits (learned men) and other self-serving and corrupted religious characters that they encounter.
Dictionary definitions of fakir inform us that it has an Arabic root, in the word for poverty, and that it refers to the voluntary practice of poverty within the Sufi tradition. It goes back to the early middle ages and corresponds to the radical poverty of St. Francis and his followers in European Christianity. The religious traditions of voluntary poverty inform and inspire socialism, the Christian social gospel, and modern liberation theology. It also seems to inform the creation of communes and alternative communities and movements for voluntary simplicity in modern living, such as Duane Elgin’s Voluntary Simplicity books and teachings.
The Skeptic’s Dictionary brings us closer to Kipling’s observations:

The term is also used, however, to refer to itinerant Indian conjurers and alleged god-men who travel from village to village and perform “miracles” such as materializing vibhuti (holy ash) or jewelry. They do other conjuring stunts such as walking on hot coals, laying on a bed of nails, eating fire, sticking their hands in boiling ‘oil’, piercing their faces with long needles, putting large hooks through the flesh of their backs attached to heavy objects which they pull. Some conjurers are even said to levitate or to have performed the famous Indian rope trick.

I think there are many fakirs in our time and place. I include many inspirational/motivational speakers and writers, personal coaches, self proclaimed counsellors, therapists, and healers, teachers of personal growth, leaders of cults and vendors of enlightenment.
It has been said that modern writers and thinkers see farther because we stand on the shoulders of giants. I don’t mean to imply that the evolution of ideas and culture is progressive or that we are being taken anywhere on the wave of history. I think modern writers and thinkers are able to work with the wisdom of the past in their own work. This gives them a new vantage point, and of course it gives them the opportunity to appropriate terms and ideas from the great traditions.
I believe that modern fakirs have been able to strip mine the religious, spiritual, philosophical and scientific traditions of many cultures to manufacture a variety of pleasing psycho-spiritual stories. Some of the fakirs are true pilgrims, devoted to finding God or enlightenment. However many of them are selling junk, for their own financial gain or to gratify their inner child’s need to be the center of attention.
I see a powerful and healthy tension in the word. I would like to use it as a critical tool, rather than as an insult, but I don’t plan to walk on eggshells.

Dispossessed

In looking at some old email in an archive folder, I recollected that I used to sign my email with quotations. For several months or years in the mid 90’s, I used a quote from The Dispossessed, (Harper & Row, 1974) by Ursula K. LeGuin:

It is the nature of idea to be communicated: written, spoken, done. The idea is like grass. It craves light, thrives on crossbreeding, grows better for being stepped on.

When I checked Randy’s blog, his entry for April 5/04 mentioned his sf fanzine, Winding Numbers. I wrote several articles for Winding Numbers, including a sercon (that was fannish talk for serious and constructive) or critical, literary review of The Dispossessed. LeGuin has remained one of my favourite writers, for her honesty and intellectualism. I also agree with some of Thomas M. Disch’s comments about LeGuin in his book The Dreams our Stuff is Made Of. Disch considers that LeGuin has been made into a feminist icon by literary critics, and that some of her ideas and themes have been appropriated and misrepresented by critics and imitators. Disch is not particularly enchanted with feminism and magical realism in fiction. His critique becomes sour around these matters of taste, and I part company with him while agreeing that LeGuin has become associated with superstitious lyricism.